Greyness and Infinity

Greyness and Infinity uses observed microbial processes to develop blueprints for the emergence of a durational choreography for objects and performers, with audiences invited to come and go as they please. Borrowing poetics from microbial transformation and processes of mutualistic symbiosis, Greyness and Infinity makes visible the labour of the microbial world through mediated conversation and dancing action. It is a meditation on social togetherness, care, and sensitivity.

Ivey Wawn in collaboration with Angela Goh, Lucien Alperstein , Mark Mailler, Megan Payne, Patricia Wood, Paul Walker, and Shota Matsumura

Dramaturge: Lizzie Thomson

Presented at

Underbelly Arts Festival and Lab, September – October 2017

RMIT Design Hub in Why Listen to Plants? by Liquid Architecture – November 2018

Greyness and Infinity has been supported by Underbelly Arts, Liquid Architecture, Bundanon Trust, ReadyMade Works, RMIT Design Hub and AusDance NSW

 

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image: Keelan O’Hehir
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image: Keelan O’Hehir
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image: Keelan O’Hehir
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image: Keelan O’Hehir
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image: Keelan O’Hehir
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image: Keelan O’Hehir

Photography © Tim da-Rin | www.timdarin.com | @timdarin

 

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Image: Tim Da-Rin

Photography © Tim da-Rin | www.timdarin.com | @timdarin

Hosting Tim Da-Rin.jpg
image: Tim Da-Rin

 

Images from early-stage research at Bundanon, through Underbelly Arts (December 2016)

image by Lucien Alperstein for Underbelly Arts

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image by Lucien Alperstein for Underbelly Arts

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image by Lucien Alperstein for Underbelly Arts

Development (May) at Readymade Works, supported by AusDance NSW DAIR 2017

Development (September) ReadyMade Works Moving Ideas Residency 2017

Development and Presentation (September-October) Underbelly Arts Festival and Lab 2017